Michael Moore watched as General Motors systemically pulled out of Flint, Michigan, his hometown, and left the city to rot. A journalist who founded the Flint Voice, later the Michigan Voice, an aggressive counter-culture newspaper, Moore was not going to take it lying down. So he went to a press conference and asked GM’s president how many jobs would be ultimately be lost and what the company’s plans were for Flint. The resulting corporate doubletalk would be juxtaposed against a narrative of corporate responsibility in Roger & Me. While Flint led the nation in unemployment in 1987 and was second in violent crime, by 1989, when the documentary debuted, the city was in the midst of a remarkable turnaround, with unemployment halved, crime down, and GM actually contributing to redevelopment. The film’s narrative was a blessing and curse at that point, helping shine international light on a city still struggling to find a future, and, more importantly, a dialogue about what Rust Belt companies owe their factory towns when the boom days end. However, the national perception of Flint went in the tank. Roger & Me turned Moore into a superstar and he has gone on to have one of the most successful documentarian careers of all time, always with his trademark anti-authority stance.