The National took the long view and it has paid off for them. Incubating in the same Brooklyn scene as The Strokes, Yeah Yeah Yeahs, and Interpol, the band watched all three explode to international popularity while they nurtured a more modest fan base with a decidedly less intense sound. With their third studio album, Alligator (2005), something started to click. On endless tours their audiences started to grow organically and expectations grew for the their next album. Boxer would have a difficult birth, however, as the band exited the record studio after months of effort with a half-finished album. Their diligent work and experimentation would pay off, though, as the album would catapult the band to newfound fame.